charles barrow's writing

Thirty years ago, or so, I wrote a romcom. It was a gay romcom, set in a karaoke bar, called Dolly Would. It was a musical gay romcom, all the characters sang country songs, when they fell in love, or when their man done them wrong, and broke their heart (which happened a lot). I wrote is as a film script originally, it morphed out of another script about rent boys and working girls in Brighton. That script, Fairy Tale, had a producer attached for a while, but the deal fell through, and I lost my way with it, put it a drawer for a few years and forgot about it... until I fetched it out and re-worked it into that county+western themed love story. Eventually, as in years later, it got re-written again, this time as a novel. It changed a lot in the transition, but I always felt that it lost more than it gained, so I put it back into that drawer, where it remains; the drawer where many of my favourite stories go to die. I mention it here because I made a momentous decision about it this we

I've lost my way a little recently, with my writing I mean. I finished my last writing project, John Mann - At Day's End, and published it over 18 months ago, and I've struggled to find a project to focus on since then. I've had plenty of story ideas, and that's probably the problem, I've had too many ideas. It seems like a good problem to have in many ways, too many ideas, but a problem is a problem no matter how it presents itself. I've followed each of those ideas for a distance, a period of time, be it a matter of hours, days or weeks. I've outlined the whole story of one, written a couple of chapters of another, noted detailed dialogue from a scene for a different one altogether. I'm a bit like a dog whose attention keeps getting sidetracked from the stick, to a scent, to a butterfly, to the ball. I focus intently, for a time, and then something else catches my attention and I move on. Is this a personality disorder, a form of writer's block