charles barrow's writing

This plant caught my eye. It's growing in the barest scrape of dirt in the road by the kerb, and I marvel at its tenacity to survive and flourish against all the odds. But I kind of resent it too. I lavish care and attention on some of the plants in my border. They get a good grade multi-purpose compost, a seaweed feed, and regular weeding, and yet they don't look anywhere near as healthy, nor floriferous as this neglected weed. But this weed did spark some thoughts. I'm going to wrestle to draw a parallel now, between the fact of this weed thriving in the gutter, and one of my writing projects. I can lavish much care and attention on a story idea. I can visit with it everyday for months, make notes, do research, write a draft, revise said draft, and even so, it will ultimately wither and perish. But then again, I can make a few scant notes on another story idea, throw the notebook into a drawer and forget about it for many months, sometimes even years, and then I'll su...

I listened to poet and author Frances Leviston talking on Radio 4's Front Row about her short story 'Broderie Anglaise'. It was nominated for the BBC National Short Story Award. She mentioned that she used the term broderie anglaise (the name for a needlework technique) as a 'place holder', a term she dropped into a sentence as she was writing so as not to stop the flow of words, fully intending to return and replace it with a different, more considered one. But, as it turned out, when she returned she realised she'd got it exactly right first time, so much so that she used it as the name for her story. My ears pricked up when I heard this. I've used place holders many times in my writing, doing exactly what Frances did, just dropping a similar, an associated, an 'almost the right word' word into a sentence when I can't think of the perfect one and don't want to pause or I'll grind to a halt. Usually, as I read back through what I...